Bocca Al Lupo

Kathy Alberici is an experimental violinist with a love for analogue electronicsand deep listening. Her solo work as Bocca al Lupo yields inhabits a tingling space between noise, soundscapes and drone; evocative ‘sonic portraits’ which twine hallucinatory string and synth shivers around grainy industrial skeletons.


20 April 2019, Saturday, the evening before Eastern, at 7.13pm a compression valve broke on the construction site of the Deutsche Bahn at Nordbahnhof Stuttgart. The air pressure created a noise variable in many frequencies up to a sound

level of 120db. Nearby residents more often informed the Deutsche Bahn and local police. Despite, the noise went on all night and finally the air pressure hose was turned off on Sunday evening 21 April at 6.53pm, after almost 24 hours......

Dave Phillips

dp re/searches and ponders existences and behaviourisms humanimalistically. sound as communication in direct and primal form, a language, a tool of metaphysics, a conscience and a consciousness. opposing the omnipresent restriction

and reduction of life and living. sound communications that activate primordial shared emotions otherwise hidden under the debris of civilisation. inviting rumination, encouraging intervention, endorsing catharsis. therapeutical stimulation is acknowledged. sonic activism, ritual protest music. methods are audio de/construction, psycho-acoustics, sonic rituals, composition and performance. tools are voice, body, field recordings, electronics, objects, video.

Video & Sckre

Video & Sckre artistic approach is dialogical when it comes to public space and also among themselves. Their creative art process tells always a story, mostly influenced by their surroundings during travelling and visiting

different places in the world. Video Oner focuses mostly on the characters of animals and humans, while Sckre connects them with his ornamental, abstract landscapes, shapes and forms. Together the both artists often experiment with different formats, materials and techniques. The public space becomes their atelier and field of experimentation where they constantly develop their narrative art. A central theme are the different forms of nature and creation. The murals

offer the viewer an access and way into to ones personal imagination.




Aclds / Scald Rougish

Drawing: Alex Solman

Chris Douglas a.k.a. Dalglish, O.S.T., Scald Rougish, and Seaes “Chris Douglas haunts his own music. A nomad and something of a loner, he has rattled around the electronic music network like a busted component for the last two and a half decades [...] It’s appropriate, because his music is one of the

most striking evocations of the life of the mind that you’re ever likely to hear. The

music is substantially live, improvised within a loose framework, and the shifting

layers of grey-green tone, fractured samples and nervous tics that whip around the stereo field obsessively tease out new geometries and shapes ..”

Derek Walmsley, The Wire

The Ångströmers

The Ångstromers is a cluster of sound artists & musicians who gravitate around Ångström Records and its celestial twin Ångstrom Mastering.

Rabih Beaini

Lebanese-born producer and DJ Rabih Beaini (formerly known as Morphosis) specializes in grainy, imaginative analogue techno. In the past year however, his Morphine label has telescoped in on key (often overlooked) voices in avant-garde electronic and outernational music.

Weiny Fitui

1980 in Asmara geboren, seit 1983 in Deutschland, lebt und arbeitet in Stuttgart als freie Künstlerin und im Bereich Kulturarbeit der Off-Szene. Unter

Anwendung verschiedener Techniken arbeitet Fitui mit unterschiedlichen Materialien (Textilien, Plexiglas, Licht) und vorgefundenen Objekten und integriert diese in Assemblagen und Installationen. Verwurzelt in ihrer eritreischen Kultur verarbeitet sie in ihrem künstlerischen Schaffen europäische und internationale Einflüsse. Es entstehen individuelle Mythologien.

Cene Resnik & Urban Kušar

Cene Resnik – tenor & soprano saxophone

Urban Kušar – drums, cymbals, objects

Both musicians are coming from Slovenia, they are individual represetatives of a creative improv & experimental music scene in Slovenia.

Resnik/Kušar duo concept is completely improvised, using sounds and objects acoustically, since natural sound timbers, aliquotes and overtones are their pri-

mary support for the melodical rhythm structures.


Photo: Gabriel Coffey

Michul Kuun’s transformation continues with

loose, ambient-leaning moments to frenetic, jazzy fragments, extreme punk outbursts, complex electronic arrangements and comforting lo-fi beat compositions.

A percussionist, sound manipulator and visual artist, Kuun has developed his own dynamic synthesis of textured noise and confronting percussive rhythms.

Performing live with little more than a drum kit, various samplers and cutting edge drum sensor technology, he channels a frenetic energy that teeters on the edge of violent hostility and playful chaos.


In Verwitterung und übereifrigen Putzerlingen (des urbanen Raums) kulmi-

niert der Impetus den [.....] in sein Atelier treiben. In manischer Abarbeitung an Material (oftmals aus dem Bauwesen) manipuliert er Oberflächen. Das was bleibt sind Ideen., nicht Reste - ein Interesse an Manipulation und Prozesshaften.

Abgeschlossenheit ist kein immanenter Charakter seines Schaffens. Alles ist of-

fen. Wenn es keinen Anfang und kein Ende hat produziert sich das Werk durch sich selbst und steht außerhalb jeglicher zeitlicher Verortung und somit für sich


Roland Batroff

Roland Batroff arbeitet mit Schwerpunkt in Stuttgart als Designer, Programmierer, freier Medienpädagoge und Lichtkünstler. Neben der Konzeption und Realisierung von Lichtanlagen und Lichtinstallationen, gibt er Einführungskurse in C-Programmierung auf Arduino Basis und ist kreativer Programmierer für Computergrafik und Web.

Unter dem Namen KOLLEKTOR EMITTER fast er seine verschiedenen Projekte und Kooperationen zusammen.